My current work is borne of a fascination with the energy and movement often found in a sketch. It is also a fascination for how observers see such work, how they must dig within their own subjectivity to fill in the blanks.
I use a digital graphic tablet as a kind of “gesture capturing device”. The hand, liberated from all fears of making a mistake or obsessions of perfection is free to explore raw, boundless, movement. I capture the free flowing, unrehearsed lines that normally would be erased during the deliberate travail involved in producing the so-called Final work.
To better involve the viewer, I leave a lot of open space, of ambiguity, in my drawings.