|
I am interested in representing female Power overcoming male Force. Force is fleeting and propulsive, power is constant. The relation between power and force is analogous to that between drive and desire. Drive swallows desire, but desire cannot be digested. The symbol for power is the Phallus, but the phallus is not to be equated with the penis, which is merely an occasion of the phallus. The unity of the phallus with the penis is brief. The phallus is the signifier of power while the penis is the signifier for the male gender; the former sometimes encapsulates the latter. When both are brought together, the union is sublime, and what results is absolute but finite power and force: orgasm. When they are separate, it becomes clear that anyone—women in particular—can have the phallus even though we do not have penises or that a man can have a penis, but no phallus, or power. Lesbian sex is an example of the former, while Viagra is a perfect example of the latter.
My work is a combination of erotic-sexploitation with an iconoclastic foundation. It is unapologetically explicit, perhaps jarring at times, and definitely obsessive. I try to condense the raw sexual passion we humans experience into single snapshots. To do this, I designate “quilting points” in each photo that might be represented by an anus, a tongue, an erect penis, a vagina, and/or interplay among them or numbers of them. I move in for medium close ups and tight shots and focus on these points so that the viewer is unable to avert his/her gaze from the centres of gravity that they become of each shot. The use of these quilting points creates an obsessive and excessive quality that sublates the subject matter from pornography back into art: much pornography today is sanitized, detailed, and overly uniformly focused to the point of being pictures of nude professional “porn stars” playing at sex. My work portrays the obsessive nature of particular sexual desires by the foisting of ordinary people’s genitalia “at work” onto the viewer to the point that they act as assaulting tentacles that not only reach out, but also pull the viewer in. My art is not meant merely to “touch” the viewer, but to pull him/her in unexpectedly, to immerse, and overwhelm him/her—like quicksand.
|
Comments on This Gallery Page
|
Nice gallery
Enjoy your style. Looking for more.
» Posted by
mooreno
on 6/9/2006 10:54:08 AM.
|
|
Would you like to post a comment on this gallery page?
|
|
|